Emma Woodhouse seems to be perfectly content, a loving father whom she cares for, friends, and a home. But Emma has a terrible habit – matchmaking. She cannot resist finding suitors for her friends, most of all Harriet Smith. Emma is desperate for Harriet to find happiness, but every suitor she finds for her friend ends up attracted to Emma herself. But is Emma so focused on Harriet’s happiness that she is not considering her own happiness in love?
– Written by Mel from the Untied Kingdom
- Jane Austen
- Romola Garai, Rupert Evans, Jodhi May, Michael Gambon, Jonny Lee Miller
MOVIE CASTS JESSE EISENBERG, VANESSA REDGRAVE AND PIERCE BROSNAN
Another period set project will be a movie on famous painter Théodore Géricault THE MEDUSA depicting the tragic events that inspired his harrowing and politically significant masterpiece The Raft Of The Medusa. Jesse Eisenberg will play the painter, with Pierce Brosnan as his uncle and nemesis, Caruel, and Vanessa Redgrave as his anti royalist innkeeper. Peter Webber of Girl With a Pearl Earring is directing.
Set during the turmoil of post Napoleonic France, the story centres on Géricault, artist and enfant terrible, who learns that his best friend has died after the Naval vessel Medusa runs aground near Senegal. His death and those of over 100 others were horrific due to incompetence on the part of an aristocratic captain.
No date given
The Lighthouse’ is a historical Chiller based on the macabre true story of The Smalls Island Lighthouse tragedy.
‘The Lighthouse’ stars Michael Jibson (Saints & Strangers, Les Misérables, The Riot Club) and Mark Lewis Jones (Game Of Thrones, Master And Commander, Child 44)
The film follows Thomas Howell and Thomas Griffith’s disastrous posting to the Smalls Island Lighthouse to ‘keep the light’ 25 miles from land and surrounded by the deadly Irish Sea.
The men are stranded in a freak storm that rages for months, nothing short of an act of God. The film tells a tale of death, madness and isolation; a desolate trip into the heart of human darkness.
Made in collaboration with Ffilm Cymru Wales, the BFI , BBC Films, S4C, Edicis and Soda Pictures, Directed by Chris Crow (Devil’s Bridge, Panic Button, Viking: The Darkest Day) and produced by David Lloyd (Devil’s Bridge)
Shot in South Wales during 2014 with Post-Production completed in 2015 ‘The Lighthouse’ will be released in the UK on July 8th 2016 through Soda Pictures.
By Jane Austen…
In 18th-century England, a widow (Kate Beckinsale) asks a friend (Chloë Sevigny) for help in finding suitors for herself and her young daughter. Written and directed by Whit Stillman (who adapted the script from an unpublished work by Jane Austen), Love and Friendship made its world premiere at the 2016 Sundance Film Festival.
Set in the 1790s, Love and Friendship centers on beautiful widow Lady Susan Vernon, who has come to the estate of her in-laws to wait out colorful rumors about her dalliances circulating through polite society. Whilst there, she decides to secure a husband for herself and her rather reluctant debutante daughter, Frederica.
US release: May 16, 2016
UK release: May 27, 2016
Master and Commander: The Far Side of the World is based on two Napoleonic War-era adventure novels in author Patrick O’Brian’s Aubrey/Maturin series, Master and Commander and The Far Side of the World. Russell Crowe stars as Captain Jack Aubrey, a high-seas adventurer who maintains a strong bond with ship-surgeon Stephen Maturin (Paul Bettany). After conquering much of Europe already, Napoleon’s forces have set their sights on taking Britain, so Aubrey and the crew of his ship, the HMS Surprise, take to the Pacific to intercept any attacking ships from the French fleet. When Aubrey eyes a renegade French super-frigate, the Surprise pursues, leading to an adrenaline-charged chase through the distant reaches of the sea.
Edward Woodall, James D’Arcy, and Lee Ingleby also star as members of the Surprise’s crew.
click title for full screen
Personal Favorite of mine
It is set in 1824 as Beethoven (Ed Harris) is finishing his Ninth Symphony. He is plagued by deafness, loneliness and personal trauma. A fictional character, a new copyist, Anna Holtz (Diane Kruger) is engaged to help the composer finish preparing the score for the first performance. Anna is a young conservatory student and aspiring composer. Her understanding of his work is such that she corrects mistakes he has made, while her personality opens a door into his private world. Beethoven is initially skeptical, but slowly comes to trust Anna’s assistance and eventually grows fond of her. By the time the piece is performed, her presence is a necessity and she helps him conduct the premiere from a spot hidden amongst the orchestra.
After the premiere, they collaborate and become closer. His eccentricities become more and more troublesome, but Anna continues to provide companionship. She eventually transcribes his compositions as he simply talks her through them.
Ed Harris as Ludwig van Beethoven
Diane Kruger as Anna Holtz
Matthew Goode as Martin Bauer
Phyllida Law as Mother Canisius
Joe Anderson as Karl van Beethoven
Ralph Riach as Wenzel Schlemmer
In CONGRESS, July 4, 1776.
The unanimous Declaration of the thirteen United States of America,
When in the Course of human events, it becomes necessary for one people to dissolve the political bands which have connected them with another, and to assume among the powers of the earth, the separate and equal station to which the Laws of Nature and of Nature’s God entitle them, a decent respect to the opinions of mankind requires that they should declare the causes which impel them to the separation.
Outlines a general philosophy of government that justifies revolution when government harms natural rights.
We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.
That to secure these rights, Governments are instituted among Men, deriving their just powers from the consent of the governed, That whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or to abolish it, and to institute new Government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their Safety and Happiness. Prudence, indeed, will dictate that Governments long established should not be changed for light and transient causes; and accordingly all experience hath shewn, that mankind are more disposed to suffer, while evils are sufferable, than to right themselves by abolishing the forms to which they are accustomed. But when a long train of abuses and usurpations, pursuing invariably the same Object evinces a design to reduce them under absolute Despotism, it is their right, it is their duty, to throw off such Government, and to provide new Guards for their future security.
A bill of particulars documenting the king’s “repeated injuries and usurpations” of the Americans’ rights and liberties.
Such has been the patient sufferance of these Colonies; and such is now the necessity which constrains them to alter their former Systems of Government. The history of the present King of Great Britain is a history of repeated injuries and usurpations, all having in direct object the establishment of an absolute Tyranny over these States. To prove this, let Facts be submitted to a candid world.
He has refused his Assent to Laws, the most wholesome and necessary for the public good.
He has forbidden his Governors to pass Laws of immediate and pressing importance, unless suspended in their operation till his Assent should be obtained; and when so suspended, he has utterly neglected to attend to them.
He has refused to pass other Laws for the accommodation of large districts of people, unless those people would relinquish the right of Representation in the Legislature, a right inestimable to them and formidable to tyrants only.
He has called together legislative bodies at places unusual, uncomfortable, and distant from the depository of their Public Records, for the sole purpose of fatiguing them into compliance with his measures.
He has dissolved Representative Houses repeatedly, for opposing with manly firmness of his invasions on the rights of the people.
He has refused for a long time, after such dissolutions, to cause others to be elected, whereby the Legislative Powers, incapable of Annihilation, have returned to the People at large for their exercise; the State remaining in the mean time exposed to all the dangers of invasion from without, and convulsions within.
He has endeavoured to prevent the population of these States; for that purpose obstructing the Laws for Naturalization of Foreigners; refusing to pass others to encourage their migrations hither, and raising the conditions of new Appropriations of Lands.
He has obstructed the Administration of Justice by refusing his Assent to Laws for establishing Judiciary Powers.
He has made Judges dependent on his Will alone for the tenure of their offices, and the amount and payment of their salaries.
He has erected a multitude of New Offices, and sent hither swarms of Officers to harass our people and eat out their substance.
He has kept among us, in times of peace, Standing Armies without the Consent of our legislatures.
He has affected to render the Military independent of and superior to the Civil Power.
He has combined with others to subject us to a jurisdiction foreign to our constitution, and unacknowledged by our laws; giving his Assent to their Acts of pretended Legislation:
For quartering large bodies of armed troops among us:
For protecting them, by a mock Trial from punishment for any Murders which they should commit on the Inhabitants of these States:
For cutting off our Trade with all parts of the world:
For imposing Taxes on us without our Consent:
For depriving us in many cases, of the benefit of Trial by Jury:
For transporting us beyond Seas to be tried for pretended offences:
For abolishing the free System of English Laws in a neighbouring Province, establishing therein an Arbitrary government, and enlarging its Boundaries so as to render it at once an example and fit instrument for introducing the same absolute rule into these states
For taking away our Charters, abolishing our most valuable Laws and altering fundamentally the Forms of our Governments:
For suspending our own Legislatures, and declaring themselves invested with power to legislate for us in all cases whatsoever.
He has abdicated Government here, by declaring us out of his Protection and waging War against us.
He has plundered our seas, ravaged our coasts, burnt our towns, and destroyed the lives of our people.
He is at this time transporting large Armies of foreign Mercenaries to compleat the works of death, desolation, and tyranny, already begun with circumstances of Cruelty & Perfidy scarcely paralleled in the most barbarous ages, and totally unworthy the Head of a civilized nation.
He has constrained our fellow Citizens taken Captive on the high Seas to bear Arms against their Country, to become the executioners of their friends and Brethren, or to fall themselves by their Hands.
He has excited domestic insurrections amongst us, and has endeavoured to bring on the inhabitants of our frontiers, the merciless Indian Savages whose known rule of warfare, is an undistinguished destruction of all ages, sexes and conditions.
In every stage of these Oppressions We have Petitioned for Redress in the most humble terms: Our repeated Petitions have been answered only by repeated injury. A Prince, whose character is thus marked by every act which may define a Tyrant, is unfit to be the ruler of a free people.
This section essentially finished the case for independence. The conditions that justified revolution have been shown.
Nor have We been wanting in attentions to our British brethren. We have warned them from time to time of attempts by their legislature to extend an unwarrantable jurisdiction over us. We have reminded them of the circumstances of our emigration and settlement here. We have appealed to their native justice and magnanimity, and we have conjured them by the ties of our common kindred to disavow these usurpations, which, would inevitably interrupt our connections and correspondence. They too have been deaf to the voice of justice and of consanguinity. We must, therefore, acquiesce in the necessity, which denounces our Separation, and hold them, as we hold the rest of mankind, Enemies in War, in Peace Friends.
The signers assert that there exist conditions under which people must change their government, that the British have produced such conditions, and by necessity the colonies must throw off political ties with the British Crown and become independent states. The conclusion contains, at its core, the Lee Resolution that had been passed on July 2.
We, therefore, the Representatives of the united States of America, in General Congress, Assembled, appealing to the Supreme Judge of the world for the rectitude of our intentions, do, in the Name, and by Authority of the good People of these Colonies, solemnly publish and declare, That these united Colonies are, and of Right ought to be Free and Independent States; that they are Absolved from all Allegiance to the British Crown, and that all political connection between them and the State of Great Britain, is and ought to be totally dissolved; and that as Free and Independent States, they have full Power to levy War, conclude Peace, contract Alliances, establish Commerce, and to do all other Acts and Things which Independent States may of right do. And for the support of this Declaration, with a firm reliance on the protection of divine Providence, we mutually pledge to each other our Lives, our Fortunes and our sacred Honor.
New Hampshire: Josiah Bartlett, William Whipple, Matthew Thornton
Massachusetts: Samuel Adams, John Adams, John Hancock, Robert Treat Paine, Elbridge Gerry
Rhode Island: Stephen Hopkins, William Ellery
Connecticut: Roger Sherman, Samuel Huntington, William Williams, Oliver Wolcott
New York: William Floyd, Philip Livingston, Francis Lewis, Lewis Morris
New Jersey: Richard Stockton, John Witherspoon, Francis Hopkinson, John Hart, Abraham Clark
Pennsylvania: Robert Morris, Benjamin Rush, Benjamin Franklin, John Morton, George Clymer, James Smith, George Taylor, James Wilson, George Ross
Delaware: George Read, Caesar Rodney, Thomas McKean
Maryland: Samuel Chase, William Paca, Thomas Stone, Charles Carroll of Carrollton
Virginia: George Wythe, Richard Henry Lee, Thomas Jefferson, Benjamin Harrison, Thomas Nelson, Jr., Francis Lightfoot Lee, Carter Braxton
North Carolina: William Hooper, Joseph Hewes, John Penn
South Carolina: Edward Rutledge, Thomas Heyward, Jr., Thomas Lynch, Jr., Arthur Middleton
Georgia: Button Gwinnett, Lyman Hall, George Walton
Synopsis by Jason BuchananEmmy Award-winning director Tom Hopper takes the helm for this epic, seven-part miniseries produced by Playtone’s Tom Hanks and Gary Goetzman, and presenting American history as seen from the perspective of fiercely independent founding father John Adams (Paul Giamatti). Based on author David McCullough’s Pulitzer Prize-winning biography, the film tells the tale of a leader whose remarkable vision helped to guide a burgeoning republic through an especially tumultuous period. Thanks to the tireless support of his loving wife Abigail (Laura Linney), and lifelong friendship with political rivalry Thomas Jefferson (Stephen Dillane), John Adams rose to prominence as the spokesman for the American independence movement before moving on to become America’s first ambassador to Holland and England, the first American Vice President, the second American President, and the father of the sixth American President. As with McCullough’s best-selling biography, the film draws on a comprehensive collection of letters, diaries, and family papers in order to create the most accurate representation of Adams’ life and achievements ever captured on film.
By Meghan O’Keefe
June 21, 2015 // 9:00am
5 Reasons Why ‘Poldark’ Is Going To Be The New ‘Downton Abbey’
A few years ago, an absorbing soap opera about the drama going on in a massive Yorkshire estate in the 1910s and 1920s took the world by storm. Downton Abbey renewed mainstream America’s interest in British costume drama and introduced us all to the Crawley clan. But Downton Abbey is almost over. So, what British export can hope to take its place in our collective Yankee hearts? Based on what we’ve seen, Masterpiece‘s latest series, Poldark, might just be your new summer obsession.
The original Poldark crossed the pond in 1975 and became one of Masterpiece’s first massive American hits. The story — which is based on Winston Graham’s Cornwall novels — has been compared to everything from Gone With The Wind to Pride & Prejudice. It’s a sweeping saga about a lovable gentleman rogue named Ross Poldark (Aidan Turner). Young Captain Poldark returns home from the Revolutionary War to discover that everything he loved is lost. How will he rebuild? Can he rebuild? Will he forever pine after his childhood love? Or will the earthy Demelza (Elinor Tomlinson) turn his head? Poldark tackles all this and more.
If that hasn’t sold you, here are five reasons why we suspect Poldark might be the next Downton Abbey.
It’s Already A Super Big Deal In England
Even though Downton Abbey still has at least one season to go, England has already moved on. “Poldark fever” is an actual thing that gripped Brits this spring. The season finale had nearly 6 million viewers. What does that mean? It means that 1 in 4 Brits who were watching TV were watching it. For bigger context, those are akin to stateside Game of Thrones numbers. Poldark is a ratings smash and it might just have the juice to make the leap stateside.
It’s The Anti-‘True Detective’
As American television keeps pushing the boundaries of storytelling, it also seems to be pushing the boundaries of taste. Everything has to be dark, gritty, shocking, bloody, and sometimes appalling. While you can expect grim nihilism from HBO shows, don’t look for it in Poldark. It’s old-fashioned, straight-forward storytelling with a hero whose biggest foe is his own pride. The cinematography is glorious, the acting superb, and the characters are all shockingly earnest. I mean, the bad guys are a family of miserly bankers called the Warleggans, for goodness sake. The show’s one fault might be how simple it is, but then, it’s so well-done and absorbing that watching it feels like you’re cozying up to an old familiar friend.
It’s Got This Really, Really, REALLY Hot Guy
The biggest British crossovers usually have wonderful writing, fantastic acting, one dashing heartthrob. Poldark’s hunk is its criminally good-looking lead, Aidan Turner. You might recognize Turner for his work on the cult hit Being Human or as Kili, the hot dwarf who flirted with Evangeline Lilly in The Hobbit movies. Playing Ross Poldark is Turner’s “Darcy moment.” In fact, there’s a moment in episode three that rivals Colin Firth’s legendary wet shirt scene in Pride & Prejudice. A shirtless Captain Poldark is seen reaping wheat in a field with a scythe and it was enough to almost melt British twitter. Will it be enough to melt your heart? (WELL, I HOPE SO. WHAT MORE DO YOU WANT?)
The Women Are The Real Heroes
Part of Downton Abbey’s success is its focus on its brilliant female characters. Lord Grantham might rule over Downton Abbey, but it’s Lady Mary, Anna, and the Dowager Countess we tune in for. Poldark doesn’t just take its name from its charismatic leading man, but from the entire Poldark clan. There’s Elizabeth Poldark (Heida Reed), Ross’s elegant childhood love torn between her love of Ross and her duties to her husband, his feckless cousin, Francis. Then there’s Verity Poldark (Ruby Bentall). She’s as true, courageous, and honest as her name would suggest. Finally, there’s the feisty street urchin-turned-kitchen wench, Demelza Carne (Elinor Tomlinson). She lends the show its passionate heart and is the program’s romantic heroine.
It’s Yet Another Romantic Masterpiece From ‘Masterpiece’
One of the things I love most about PBS’s Masterpiece is that I know it will never let me down. It’s constantly cherry-picking the best television that Britain has to offer and Poldark is no different. In fact, Poldark might be my favorite Masterpiece offering in quite some time. The show is about the tensions that boil between old and new, rich and poor, and the future and the past. It’s about how drama erupts when people succumb to fear, pride, and jealousy.
Most of all, it’s about how love has the power to light us through our darkest days. If you’ve ever fallen for a Mr. Darcy, a Heathcliff, a Horatio Hornblower, or a Jamie Fraser…then Ross Poldark will capture your heart. And if you have a soft spot for tempestuous upstarts like Elizabeth Bennet, Scarlett O’Hara, Jane Eyre, or Claire Randall… then you’re really going to like Demelza. And if you like streaming amazing quality entertainment for free, you’re going to love watching it on your PBS app after it premieres tonight. [Watch Poldark on PBS]
Wolfgang Amadeus Mozart’s older sister, Maria Anna “Nannerl” Mozart, rebels against the limitations imposed on her by society in this historical biopic from director René Féret. As a young girl, Nannerl (Marie Féret) was a musical prodigy. Subsequently bumped out of the spotlight by her virtuoso younger brother, Wolfgang (David Moreau), Nannerl watches as her sibling is groomed for greatness by their father, Leopold (Marc Barbé), and performs for royalty. Nannerl’s musical career takes an even greater hit, however, when she comes of age and finds herself forbidden from writing or playing music. The passionate young musician finds a means of rebelling against the sexist mores of her time, however, after striking up a close friendship with Louis XV’s children.