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Author Topic: Jamestown - starts May 5  (Read 145 times)

genie

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Jamestown - starts May 5
« on: March 31, 2017, 08:58:26 AM »

 


* BBC Films

* The Guardian (Film)

  • post Juno Temple: ?Blackpool is like Reno, not flashy like Vegas, there?s a sense of Arcadian gambling? - 25 May
  • The actor stars alongside Timothy Spall in Away, a new drama set in the seaside town. Did the Lancashire resort?s ?magic? help her get over HBO cancelling Vinyl?Hello Juno. How are you feeling?I?m good. I had tonsillitis. Continue reading...
  • post 'One of nature?s true gentlemen': your Roger Moore stories - 25 May
  • Guardian readers share their stories of meeting the legendary James Bond actor, who has died at the age of 89
    In the summer of 1982 a man asked if I was a Sikh and if I wore a turban. He had phoned to book a disco as I ran a mobile disco with my brother, so I wondered what my religion had to do with things. He told me he was from Eon Studios, the company behind the James Bond film franchise.
    Continue reading...
  • post Good Time review - Robert Pattinson sticks up for his brother in chaotic heist movie - 25 May
  • Pattinson turns in a strong performance as a career crim in the Safdie brothers? exciting, if sometimes bewildering take on Elmore Leonard-style crime dramas Related: A Gentle Creature review - brutally realist drama offers up a pilgrimage of suffering Law And Order is a favourite TV show for a lot of people in this film. But what can those two exotic concepts mean to them? The Safdie brothers have directed a sometimes funny, sometimes bewildering odyssey of crime-chaos and crime-incompetence, co-written by Josh Safdie and Ronald Bronstein; they borrow some tropes and images from Elmore Leonard. Continue reading...
  • post The Red Turtle review ? a desert island movie to bask in - 25 May
  • This Studio Ghibli co-production with its zen-like minimalism offers a magical, meditative take on Robinson CrusoeLess is a whole lot more with this palate-cleansing animation, which sets itself apart from its caffeinated Hollywood counterparts with a minimalist, meditative approach. Jointly made by Japan?s Studio Ghibli and European backers, it is like a zen variation on Robinson Crusoe. A man is washed up on an archetypal desert island. Repeated attempts to sail away bring him into contact with a mysterious giant turtle, out of which a surprising companionship magically develops. The story operates at the level of a universal myth, free of dialogue or specifics, subtly alluding to more essential, existential matters. The simple, uncluttered images do the rest. This is a movie to bask in, and we?re given the space to do so. Characters are often dwarfed in lush expanses of sea, sky or forest, and there?s a delight in small details: a Greek chorus of scuttling crabs, the lapping of waves on the shore. There are moments of violence, too ? this is no therapeutic screen-saver. The experience is captivating, transcendental even. Continue reading...
  • post Diary of a Wimpy Kid: The Long Haul review ? road trip to nowhere - 25 May
  • A fourth big-screen outing for the amiable family franchise features a new cast but it?s run out of funFaced with ageing or refusenik performers, the amiable family franchise?s fourth big-screen outing elects for ruthless, root-and-branch recasting. Alicia Silverstone and Tom Everett Scott are new and 33% blander as the Heffley elders, while Jason Drucker succeeds Zachary Gordon as eponymous weakling Greg, here caught plotting to reroute the clan?s road trip towards a much-anticipated gaming expo. Returning director David Bowers gives it sporadic pep: there?s a fun Psycho homage, and CGI projectile vomit. Elsewhere the books? stick-figure illustrations get converted into banal, overlit, primetime sitcom images, and the endless off-route wheelspinning makes that subtitle lamentably apt. For once, it?ll be the grownups asking the kids: ?Are we there yet?? Continue reading...
  • post What we learned from Vanity Fair's Star Wars: The Last Jedi issue - 24 May
  • The magazine?s latest issue offers an in-depth look at the highly anticipated sequel. From Leia?s role to the remote planet of Ahch-To, here?s what it revealedThe closer we get to the release of Star Wars: The Last Jedi this December, the more JJ Abrams? achievement on The Force Awakens begins to crystallize. That cliffhanging final scene ? with Daisy Ridley?s Rey reaching out to a mute, disbelieving Luke Skywalker on the remote planet of Ahch-To ? left Rian Johnson with the perfect platform to go deeper into the new Star Wars galaxy in part two. Vanity Fair?s latest issue offers an in-depth look at the highly-anticipated sequel to Abrams? blockbuster megalith. Here are six takeaways from the magazine?s extensive behind-the-scenes view. Related: 40 years of Star Wars ? why the blockbuster saga is the greatest soap opera in the galaxy Continue reading...
  • post I Am Not a Witch review ? straight-faced satire on Zambian witchcraft casts a spell - 25 May
  • First time feature from Welsh-Zambian director Rungano Nyoni is a charming study of an orphan whose supposed magic powers are a goldmine for venal officialsZambian-born Welsh director Rungano Nyoni has delivered a pulsingly odd and strikingly original debut: a tale of dogma, prejudice and corruption in the country of her birth. It?s a strange witches brew of deadpan farce and arthouse stillness that some will find exasperating, and it?s not without its missteps; but there?s a confidence and clarity of vision that?s hard not to admire, especially for a first feature.Events open with Shula (Maggie Mulubwa), a shy and inexpressive orphan, being accused by her fellow townspeople of witchcraft: one woman has alleged that she made her trip over while carrying a bucket of water, and a man has backed up her allegation with his own account of the girl chopping of his arm with an axe. (Said arm has miraculously reattached itself by the time he makes this claim.) A gloriously droll police officer indulges these accusations with a mix of apathy and outright disdain, but the will of the people is clear, and Shula is exiled from the town. Continue reading...
  • post Dina Merrill obituary - 25 May
  • Heiress and philanthropist who became a Hollywood star playing poised, upper-class womenThere has seldom been more closeness between an acting career and a lifestyle than that of Dina Merrill, who has died aged 93. As an heiress, socialite and philanthropist, Merrill had little trouble portraying upper-crust women in films and television. Her patrician allure led her to be proclaimed ?Hollywood?s new Grace Kelly? in 1959. Alas, Merrill was seldom given the chance to shine as much as the star who became a princess. Nevertheless, she had a long career in films from the mid-50s to the mid-60s, and appeared regularly on television from 1955.Perhaps she was best known on the big screen as Tony Curtis?s love interest in Blake Edwards? Operation Petticoat (1959). The action comedy starred Cary Grant, who had been married to Merrill?s cousin, the Woolworth heiress Barbara Hutton. Almost as celebrated was her role as the love rival of Elizabeth Taylor?s character in Butterfield 8 (1960). Despite having won the best actress Oscar for her role, Taylor herself referred to the melodrama as ?a piece of shit?. Merrill, who often brought class to tawdry material, was far too ladylike to use such language. Continue reading...
  • post A Gentle Creature review - brutally realist drama offers up a pilgrimage of suffering - 24 May
  • A nightmare journey to a Siberian prison provides the backdrop to Sergei Loznitsa?s powerful and severe filmAt an early stage in Sergei Loznitsa?s A Gentle Creature, one minor character proposes a toast: ?To our enormous suffering!? And the whole film is in some sense pledged or consecrated to this Russian pain, unknowable and unassuageable, that makes its devotees drunk with fear and dismay. A Gentle Creature is a brutally realist movie ? at least at first ? that takes its heroine on a pilgrimage into the vast, trackless forest of national suffering. Yet it does this with an unsettling, accelerating pattern of eerie coincidences and echoes, which finally mutates into a kind of satirical expressionism ? a set-piece flourish which some might consider a bit of a narrative evasion or even an undermining of that basis of authenticity on which we had understood the movie. But it certainly provides a convulsive, if not cathartic kind of horror. Related: The Beguiled review ? Sofia Coppola contrives hilariously fraught feminist psychodrama Continue reading...
  • post Cannes 2017 day eight: Nicole Kidman and Sofia Coppola on the red carpet ? in pictures - 24 May
  • Day eight at Cannes, and the high profile premieres were The Beguiled, directed by Coppola, and the sculptor biopic Rodin from Jacques Doillon
    Continue reading...

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