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Author Topic: Fingers crossed....LOL  (Read 2013 times)

genie

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Fingers crossed....LOL
« on: September 16, 2017, 10:24:54 AM »
I am having a new computer made for me.  Who'da thought that Morgana would ever have turned six. Well, I ordered a new custom computer to be built who will be called (you guessed it) Merlin.

Suffice it to say, things may go awry when bringing back up this forum. I am hoping to save the gallery, but as that is an "add-on" to the forum, it's not assured of making it.

I will be going from a 1.5 terabyte drive to a 4.0  terabyte drive.

Although the site will be up, it's possible that I cannot recover my software on my new system, therefore it may change. This may begin as early as this coming Monday or Tuesday and be down for two to three days.

Fingers crossed everyone.

Luce

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Re: Fingers crossed....LOL
« Reply #1 on: September 16, 2017, 03:45:19 PM »
Arrrghh!!!

Genie!!! I'm crossing my bloody fingers but I predict some heavy disturbances!!!
QUEEN UNDER THE MOUNTAIN

genie

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Re: Fingers crossed....LOL
« Reply #2 on: September 17, 2017, 07:38:01 AM »
Arrrghh!!!

Genie!!! I'm crossing my bloody fingers but I predict some heavy disturbances!!!

I don't know what I was thinking.  Everything should be ok.  I'm not changing my online server as I have in the past - it's my own (at home) computer.  I'll just have to hope that everything online can transfer without problems to my own hard drives.  Be at peace.  LOL

 


* BBC Films

* The Guardian (Film)

  • post The Crown writer Peter Morgan on William Goldman: 'He was just a sublime storyteller' - 17 November
  • In 2006, while working on Frost/Nixon, Peter Morgan became friends with his screenwriting hero William Goldman, who died this week. Here he remembers a true master of the formThe first way I met him was through his movies, the same way as all of us, growing up watching Marathon Man and All the President?s Men. My first experience as a writer was on Madame Sousatzka for John Schlesinger, who had directed Marathon Man, and I remember quizzing him all about Bill Goldman, and him saying how lovely he was.By that point I had read Adventures in the Screen Trade. It was utterly riveting and I don?t know if it?s ever been equalled: both a guide to how to write and a guide to how to navigate the experience of being a professional in the industry. Even though he existed at the most exalted level, it never felt like that. It felt democratic and egalitarian in the way he wrote. Before his book, people never really gave thought to screenwriters, their craft, or their place in the ecosystem of movie-making. Bill not only shone a light on that and inspired a whole new generation of writers, but also made movie-making and showbusiness understandable to a vast general audience. Continue reading...
  • post Director Sebastián Lelio: ?The presence of porn is everywhere and making us numb? - 17 November
  • The director of the Oscar-winning A Fantastic Woman talks about his new film, Disobedience, the story of a lesbian affair in a London orthodox Jewish communityThe Argentinian-Chilean film director Sebastián Lelio lives in Berlin but, when Skyped, turns out to be in Santiago. He is wearing a white T-shirt ? it is almost summer in Chile ? and it seems far-fetched that this should be the man whose film Una Mujer Fantástica (A Fantastic Woman) won an Oscar this year, helped by an unforgettable performance by its lead, the transgender actor Daniela Vega. It seems improbable if only because of his lack of self-importance ? he is an unusual mix of relaxed and concentrated, and it is not easy to picture him getting caught up in Hollywood razzmatazz. He is in Santiago seeing friends, writing, thinking about various possible new projects. Even with the wavering image on the screen, one gets the strongest sense of him ? an attractive presence, searching blue-green eyes, a readiness to laugh. Within minutes of watching and listening, my verdict is that this is un hombre fantástico.He is talking about his new film, Disobedience, which is based on a novel by Naomi Alderman, about a lesbian affair in an orthodox Jewish community and stars Rachel Weisz, who co-produced the film. I tell him I?ve seen it twice, first, in a Jewish cinema in New York where a captive audience seemed captivated. Second time round, seeing it in London (it was, he reveals, shot in Hendon), I was even more bowled over by its subtle craftsmanship and emotional punch. It is about acceptance, the anarchic nature of desire, and what it means to be shunned. This is not new territory for Lelio; you could even say it was an obsession. Continue reading...
  • post Creed II review ? Rocky saga continues with knockout sequel - 16 November
  • Michael B Jordan and Sylvester Stallone add emotional heft to the latest chapter in the long-running boxing franchiseBefore he delivered arguably Marvel?s most dazzling chapter to date, Ryan Coogler had managed something close to impossible in Hollywood: he had found a fresh way to reboot a dusty franchise. In a landscape of endless thirst and vacant remixing, he had somehow managed to concoct a nifty, imaginative way back into the Rocky saga with Creed, a film that felt old-fashioned yet fresh, intimate yet grand, a rousing return from the grave. Related: Back from the red ? return of the Russian baddie Continue reading...
  • post Make Us Dream review ? the agony behind the ecstasy for Steven Gerrard - 16 November
  • A revelatory documentary about the Liverpool stalwart, whose explanation of his career ups and downs make for fascinating viewing Apart from a somewhat redundant top-and-tail sequence in which Steven Gerrard is seen putting his feet up in a plush LA pad as he plays out his final months for the LA Galaxy, there?s a lot to admire about Sam Blair?s profile of the former Liverpool midfield dynamo who is currently embarked on the Herculean task of restoring Rangers to their former glory in the Scottish Premier League. Football documentaries often sacrifice quite a bit in return for access to their subjects (and there?s certainly significant amounts of ?legend/icon/genius? burbling in Make Us Dream), but it?s Gerrard?s own readiness to open up and reveal something of the agony behind the permascowl he was famous for as a player that marks this film out.Gerrard, of course, is indelibly associated with Liverpool?s 2005 Champions League win, inspiring a comeback from three goals down against AC Milan. But it is his status as the main man of a team that never quite lived up to its supporters ambitions ? or the sensational achievements of Liverpool?s 1970s and 80s vintages ? that has come to define him, and Gerrard reflects on this at length: the oppressive sense of personal responsibility for the team?s fortunes, the persistent attentions of Jose Mourinho who repeatedly tried to sign him away, the pervading sense of disappointment as Liverpool kept on losing players and falling short. Gerrard is also surprisingly open about his disappointment with certain individuals, particularly Michael Owen?s decision to leave Liverpool for Real Madrid in 2004, and his ?cold? relationship with manager Rafael Benitez. Continue reading...
  • post 'Performance? I still don't fully understand it' ? behind the scenes photos from the cult classic - 16 November
  • Fifty years since the making of Mick Jagger?s identity-bending film, producer Sandy Lieberson and author Jay Glennie share exclusive pictures and storiesWhen Mick Jagger?s first feature film, Performance, was unveiled in 1970, the reviews were less than kind. ?You do not have to be a drug addict, pederast, sadomasochist or nitwit to enjoy Performance,? opined the New York Times, ?but being one or more of those things would help.?Yet in the 50 years since it was finished (it took a couple of years to see the light of day, so horrified were Warner Bros with the result), it has become the definition of a cult classic. Two films in one, it begins as a British gangster movie with hallmarks that would go on to define the genre. Halfway through, Jagger turns up as the washed-up rockstar Turner living in a menage a trois with Anita Pallenberg (Pherber) and Michčle Breton (Lucy). The film transforms itself into a hallucinatory end-of-the-60s trip that, with its exploration of identity and sexual fluidity, seems incredibly prescient several decades on. Continue reading...
  • post The highbrow film critic who was also a fanboy: the genius of VF Perkins - 16 November
  • He eschewed star ratings and saw things others didn?t. Stephen Merchant, Paul WS Anderson and J Blakeson recall being taught by the great film theoristIn 2006, an elaborate work of graffiti appeared on a wall at the University of Warwick. It depicted the stencilled face of the department?s founder, the film theorist VF (Victor Francis) Perkins, beaming from within three frames of celluloid. Scrawled next to it was a line of punky text: ?VF Perkins, head & shoulders above the rest?.Respect for him was not restricted to the Warwick campus. His criticism was admired by film-makers ? when François Truffaut empties out a bag of film books in Day for Night, Perkins?s work is among them ? and with good reason: he had been among the first to argue for cinema as an art form when the Observer?s CA Lejeune was maintaining that films ?can only reproduce. And what they reproduce is not art?. Perkins had been one of the only voices in Britain to go to bat for Psycho at the time of its release; Lejeune had walked out of the screening. Continue reading...
  • post Butch Cassidy and Princess Bride scriptwriter William Goldman dies aged 87 - 16 November
  • Key member of 1970s New Hollywood generation won two Oscars for his screenplaysWilliam Goldman ? a life in picturesThe Oscar-winning screenwriter and novelist William Goldman, best known for Butch Cassidy and the Sundance Kid and The Princess Bride, has died aged 87. Deadline reported that he died in his sleep at his home in New York, and his daughter Jenny confirmed his death was the result of colon cancer and pneumonia.Goldman was key figure of the 1970s New Hollywood generation who revolutionised the American film industry with a string of major films to his credit, but will probably be memorialised for a short aphorism that opened his 1983 memoir Adventures in the Screen Trade: ?Nobody knows anything.? Continue reading...
  • post 'Case about fighting a bully, not money,' says Rebel Wilson ? video - 15 November
  • The actor speaks to the media in Canberra after the high court refused special leave for her to appeal against the withdrawal of almost 90% of her record $4.7m defamation payout against Bauer Media. 'I saw it out to the bitter end,' she said. 'I'm so proud of myself for seeing it through ... It's a definite end.' Continue reading...
  • post Lily James and Armie Hammer to star in Rebecca movie remake - 15 November
  • A new adaptation of the Daphne du Maurier novel will be directed by High Rise?s Ben WheatleyA new film version of Rebecca, based on Daphne du Maurier?s Gothic novel, is in the works, with Lily James and Armie Hammer confirmed in the lead roles.A 1940 adaptation of Rebecca, about a newly married woman oppressed by the memory of her husband?s first wife, was Alfred Hitchcock?s first Hollywood film, and won the best picture Oscar in 1940. Continue reading...
  • post Bradley Cooper wanted Jack White to star alongside Lady Gaga in A Star Is Born - 14 November
  • A profile of Gaga in Variety has identified the ex-White Stripes frontman as Cooper?s first choice in his directorial debut, before studio vetoed Jack White, the former frontman of rock duo the White Stripes, was set to play the lead role in A Star Is Born, according to reports. In a new profile of Lady Gaga in Variety, White is identified as the mystery musician director Bradley Cooper fancied for the part, before stepping in himself, apparently following pressure from the studio.After Clint Eastwood passed on the project at the start of this decade (having eyed Cooper and Beyoncé for the leads), Cooper took it on as his directorial debut in 2014 and began looking for likely contenders to play grizzled country star Jackson Maine. Continue reading...

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