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Credits

Simple Machines wants to thank everyone who helped make SMF 2.0 what it is today; shaping and directing our project, all through the thick and the thin. It wouldn't have been possible without you. This includes our users and especially Charter Members - thanks for installing and using our software as well as providing valuable feedback, bug reports, and opinions.

The Team

Project Support
Michael "Oldiesmann" Eshom, Amacythe, Jeremy "SleePy" Darwood and Justin "metallica48423" O'Leary
Developers
Norv, Aaron van Geffen, Antechinus, Bjoern "Bloc" Kristiansen, Hendrik Jan "Compuart" Visser, Juan "JayBachatero" Hernandez, Karl "RegularExpression" Benson, Grudge, Michael "Thantos" Miller, Selman "[SiNaN]" Eser, Theodore "Orstio" Hildebrandt, Thorsten "TE" Eurich and winrules
Support Specialists
JimM, Adish "(F.L.A.M.E.R)" Patel, Aleksi "Lex" Kilpinen, Ben Scott, Bigguy, CapadY, Chas Large, Duncan85, Eliana Tamerin, Fiery, gbsothere, Harro, Huw, Jan-Olof "Owdy" Eriksson, Jeremy "jerm" Strike, Jessica "Miss All Sunday" Gonzales, K@, Kevin "greyknight17" Hou, KGIII, Kill Em All, Mattitude, Mashby, Mick G., Michele "Illori" Davis, MrPhil, Nick "Fizzy" Dyer, Nick "Ha²", Paul_Pauline, Piro "Sarge" Dhima, Rumbaar, Pitti, RedOne, S-Ace, Wade "sησω" Poulsen and xenovanis
Customizers
Brad "IchBin™" Grow, ディン1031, Brannon "B" Hall, Bryan "Runic" Deakin, Bulakbol, Colin "Shadow82x" Blaber, Daniel15, Eren Yasarkurt, Gary M. Gadsdon, Jason "JBlaze" Clemons, Jerry, Jonathan "vbgamer45" Valentin, Kays, Killer Possum, Kirby, Matt "SlammedDime" Zuba, Matthew "Labradoodle-360" Kerle, Nibogo, Niko, Peter "Arantor" Spicer, snork13, Spuds, Steven "Fustrate" Hoffman and Joey "Tyrsson" Smith
Documentation Writers
Joshua "groundup" Dickerson, AngellinaBelle, Daniel Diehl, Dannii Willis, emanuele, Graeme Spence, Jack "akabugeyes" Thorsen, Jade Elizabeth Trainor and Peter Duggan
Marketing
Kindred, Marcus "cσσкιє мσηѕтєя" Forsberg, Ralph "[n3rve]" Otowo, rickC and Tony Reid
Localizers
Relyana, Akyhne and GravuTrad
Servers Administrators
Derek Schwab and Liroy "CoreISP" van Hoewijk

Special Thanks

Consulting Developers
Brett Flannigan, Mark Rose and René-Gilles "Nao 尚" Deberdt
Beta Testers
The invaluable few who tirelessly find bugs, provide feedback, and drive the developers crazier.
Language Translators
Thank you for your efforts which make it possible for people all around the world to use SMF.
Founding Father of SMF
Unknown W. "[Unknown]" Brackets
Original Project Managers
Jeff Lewis, Joseph Fung and David Recordon

And for anyone we may have missed, thank you!

Copyrights


* BBC Films

* The Guardian (Film)

  • post Who Framed Roger Rabbit? at 30: the game-changer Hollywood couldn't top - 22 June
  • In 1988, the ambitious multimedia caper brought darkness and a satirical edge to the summer and the industry has struggled to match its inventiveness ever sinceAt a time when the predominant male gaze in the world of film criticism is being questioned by Oscar-winning female actors and lowly denizens of Twitter alike, erudite New Yorker critic Anthony Lane took more flak than he might have expected for an irreverent review of Pixar?s innocent animated romp The Incredibles 2.Or not so innocent, depending on who you believe: Lane poked fun at what he claimed was Pixar?s overt sexualisation of cartoon superhero mom Elastigirl, likening her to Anastasia Steele in the Fifty Shades franchise before joking that she?d prompt many an accompanying dad to ?[rest] his cooling soda firmly in his lap? at the cinema. Some found Lane?s exaggerated leering over a family comedy lewdly funny, others simply gross. What inspired less debate, however, was the question of whether Elastigirl ? sleek in spike-heeled thigh boots and a rubber bodysuit, and seemingly made curvier than in the 2004 original ? was hot. Animated form notwithstanding, she kind of is, and Lane is far from the first person to note that: brace yourself before typing the words ?Elastigirl porn? into Google, is what I?m saying. Continue reading...
  • post How did some of cinema's greatest films end up in an Iowa shed? - 22 June
  • A heartwarming new documentary tells the story of the history teacher who stumbled upon the Brinton Collection, a unique archive of films from the earliest days of moving picturesMichael Zahs thinks of himself as a saver. ?I like to save things,? he says, ?especially if it looks like they?re too far gone.? This retired history teacher from Iowa, now in his 70s, has amassed quite a collection over the years: stray animals, farm implements, even a church steeple. He can trace the lineage of the peach trees in his yard back to 1800. Nothing he has saved, however, has been quite as remarkable as the Brinton Collection ? a mammoth set of films, lantern slides, posters and projection equipment from the first years of cinema, and even earlier. There are two exciting things about these artefacts. One is that during the more than three decades after Zahs took delivery of the collection and stored it on his property, he has been showing its treasures to local people and keeping the tradition of the travelling showman alive. The second is the discovery that the collection contains very rare material ? films by the French cinema pioneer, George Méliès that were once thought to be lost.Saving Brinton, an absorbing new documentary by Andrew Sherburne and Tommy Haines, tells the story of Zahs and the collection he saved. Between 1895 and 1909,one Frank Brinton crossed the Midwest with his wife Indiana and his travelling show, welcoming locals for a ticket price of just a few cents. At first he showed magic lantern slides, some of which ?dissolved? between two static images to create an illusion of movement. When moving pictures arrived, Brinton jumped aboard, ordering many films from distributors in France, one of the most prolific and creative producers in the early period. He also became the manager of the Graham Opera House in Washington, Iowa, which is now known as the State Theater and has been certified by Guinness World Records as the oldest continuously operated cinema in the world. Brinton?s programme included trick films such as those by Méliès, which used in-camera special effects to create fantastical spectacles, and many hand-coloured movies where the dye is applied directly to each frame. Projected in the dark, these vivid, bizarre images have lost none of their original impact. Continue reading...
  • post From vibrators to gay kisses, how Bollywood embraced the taboo - 22 June
  • Once a musical wonderland out of touch with reality, India?s film industry is finally addressing contemporary issues ? and telling women?s storiesThis is the summer the vibrator arrives in Bollywood. No woman in the 105-year history of the Hindi film industry has ever pleasured herself. But this month, in the blockbuster Veere Di Wedding and Netflix?s Lust Stories, no fewer than three women are featured in onanistic embrace.It is one sign of the rapid change under way in India?s most prolific cultural industry. The past decade has seen Bollywood?s first gay kiss, a hit film about sanitary towels and the industry?s highest-ever grossing film ? about the lives of two female wrestlers. Continue reading...
  • post The explosive film lifting the lid on sex trafficking between India and LA - 21 June
  • Love Sonia is the shocking tale of a young woman caught up in the global sex trade. Its director and stars, including Demi Moore and Freida Pinto, on the true stories that inspired itIn the decade it took Tabrez Noorani to get Love Sonia made, he was leading a double life. By day, he was line producer for international titles shooting in India, including Slumdog Millionaire, Zero Dark Thirty and Life of Pi; by night he conducted raids on Mumbai brothels, rescuing women forced into sex work alongside anti-trafficking organisations. ?My first raid was when I was working on Slumdog,? says Noorani, who is usually based in Los Angeles. ?I would go undercover with these NGOs and we would pretend we were location-scouting.? In fact, he was casing locations where trafficked women and underage girls were being held. Later the police and the NGOs would go in and rescue them, with Noorani as their guide. When he went back to India to make a Hollywood movie, he would work with the NGOs as well.Now, these two very different sides of his work have come together, in Noorani?s feature debut. Love Sonia is the story of a teenage girl (played by relative newcomer Mrunal Thakur) who travels to Mumbai to find her sister, whom their father, a farmer, has sold to a brothel to settle his debts. In the process, Sonia is herself forced into sex work. She is beaten, raped and smuggled to the other side of the world. It is a harrowing story, lifting the lid on urban poverty and grim exploitation. It is also based on real incidents which gives the drama an authentic, unforced power. And Thakur is a revelation; ?Every agent in LA is interested to meet her now,? Noorani says. She is supported by household-name Indian actors including Freida Pinto, Richa Chadha, Anupam Kher and Manoj Bajpayee. Not to mention a brief, seal-of-approval cameo from Demi Moore. Continue reading...
  • post Ranked! Winona Ryder's 20 best films - 21 June
  • From the turkeys to the triumphs, Ryder?s 30-year career has taken her from the too-bad-to-be-missed depths of The House of the Spirits to some much more intriguing choicesIn any career spanning three decades, there are bound to be turkeys, and Ryder has had her share. But the gloopy Autumn in New York (2000) is beaten in the too-bad-to-be-missed stakes by this laughable magical-realist clunker. Highlights include Ryder?s witless voiceover (?To me, life itself has become the most important thing?) and Meryl Streep levitating a table. Continue reading...
  • post 'There was a lot of panic' - behind the first movies to tackle the Aids crisis - 21 June
  • Before Philadelphia won two Oscars, a set of smaller films dealt with the pandemic and those involved talk about the battles they faced getting their stories on screenIn the space of nine days in the summer of 1985, film-maker Arthur ?Artie? J Bressan Jr made a low budget drama called Buddies. It was a small film, an intimate two-hander that received a muted showing at a handful of cinemas just months after it was completed, a speedy release that was reflective of the urgency behind its conception and rapid shooting schedule.It has been unavailable ever since, a hushed legacy belying a ground-breaking significance because Buddies is quite possibly the most important film you?ve never heard of. Continue reading...
  • post Diversity among film directors remains low in Hollywood, report finds - 21 June
  • Annual Directors Guild of America study shows white men still dominate the industry with ethnic diversity at a five-year lowMinority film directors remain overwhelmingly under-represented in Hollywood according to a new report from the Directors Guild of America.The results of the annual study show that in 2017, just 16% of films were directed by women and only 10% came from film-makers of color, the latter statistic at the lowest it?s been since the DGA started reporting in 2013. The figures emerge in a year that saw notable successes for minority directors, including Jordan Peele?s Get Out and Greta Gerwig?s Lady Bird. Continue reading...
  • post Star Wars spin-offs put on hold after Solo crashes at box office - 21 June
  • Lucasfilm said to be focusing on ?official? episodes of franchise after disappointing results for prequelFurther Star Wars spin-off movies have been put on hold after disappointing box-office results for Solo: A Star Wars Story.According to the website Collider, ?sources? have revealed that Lucasfilm, the franchise?s main producer, has decided to concentrate its efforts on the official episode series and scale back development of future one-off movies, known as the anthology series. Continue reading...
  • post Disney raises offer for 21st Century Fox to $71.3bn and outflanks Comcast - 20 June
  • A 50/50 mix of cash and shares is bid to beat rival to bulk of Rupert Murdoch?s entertainment empireDisney has boosted its offer for 21st Century Fox to more than $71bn in a bid to knock rival Comcast out of the battle to buy the bulk of Rupert Murdoch?s entertainment empire.Disney has upped its offer to $71.3bn (£54bn) ? from $52.4bn ? trumping Comcast?s $65bn all-cash hostile offer tabled last week. Continue reading...
  • post Lesbian reveal was cut out of Jurassic World: Fallen Kingdom, claims actor - 19 June
  • Daniella Pineda says a line revealing her character is gay was removed from the sequel because it ?wasn?t relevant to the story?The Jurassic World: Fallen Kingdom star Daniella Pineda has said that a brief scene revealing her character to be gay was cut out of the finished film.The actor, who plays a paleo-veterinarian in the film, told Yahoo that a line of dialogue was taken out of the 130-minute film because it was running too long. In a scene involving her traveling in a vehicle with Chris Pratt?s character, she originally made a remark about her sexuality. Continue reading...

* CinemaBlend

* Guardian - Film

* Calendar

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