Synopsis by Hal EricksonFilmed with the usual meticulous attention to period and detail of films from Ismail Merchant and James Ivory, The Remains of the Day is based on a novel by Kazuo Ishiguro. Anthony Hopkins plays Stevens, the “perfect” butler to a prosperous British household of the 1930s. He is so unswervingly devoted to serving his master, a well-meaning but callow British lord (James Fox), that he shuts himself off from all emotions and familial relationships. New housekeeper Miss Kenton (Emma Thompson) tries to warm him up and awaken his humanity. But when duty calls, Stevens won’t even attend his own dying father’s last moments on earth. The butler also refuses to acknowledge the fact that his master is showing signs of pro-Nazi sentiments. Disillusioned by Hitler’s duplicity, the master dies an embittered man, and only then does Stevens come to realize how his own silence has helped bring about this sad situation. Years later, regretting his lost opportunities in life, he tries once more to make contact with Miss Kenton, the only person who’d ever cared enough to seek out the human being inside the butler’s cold veneer.
A New Yorker named Bobby (Jesse Eisenberg) moves to Hollywood in the 1930s to work for his uncle Phil (Steve Carell), a powerful and well-connected agent. He soon falls for Phil’s secretary Vonnie (Kristen Stewart), unaware that she’s secretly having an affair with his uncle. In time, a disillusioned Bobby returns home to run a nightclub for his gangster brother (Corey Stoll). Written and directed by Woody Allen, Cafe Society made its world premiere at the 2016 Cannes Film Festival.
In the midst of the wedding princess Miroslava is kidnapped by a dragon and carried away into his castle on the remote island. Mira left everything behind in the past – family, friends and groom. Now the only things she had were a stone cage and a mysterious young man named Arman … but who is he and what is he doing on that island? Miroslava will know the truth too late: loving a dragon will reveal the bitter truth – love is scary.
This film, a Russian import, had no audience for it. Let’s see if it appeals to our romantic natures. Language: English | Streaming on Amazon now.
I have just recently self-published a new novel of Historical Romance, which includes paranormal and mystery. I am giving the preview to this site and will include the first three chapters in the weeks ahead. The digital download is available on Amazon for 3.99 US
Website: Gene Bohn Novels
On a day of beauty and celebration, the life of one young Viscount Trevor Caldwell is irrevocably set off course when a heinous tragedy besets upon his family. Questioning his role, self-imposed guilt is heaped upon him, Trevor elects to abandon his home and station. Now living in London, under a different name and occupation, he embarks on a path of worlds beyond the life he once knew, entrenched in mystery, intrigue, and a new chance for love. However, as he rides under the shroud of anonymity, he soon discovers that all roads lead back to that one horrid day. Led by clues, haunted by his memories, he determines to seek retribution. With all he holds dear, once again under threat he calls on himself and his allies, both living and departed, as he engineers a new path for redemption. But is this quest for revenge worth his nobility? His word? His honor?PlayStop
This BBC miniseries brings to life the daring work and tempestuous love lives of the Pre-Raphaelites, a group of 19th-century British artists and playboys who yearned to reinvent Western art — and seduce a few lovely lasses in the process. As John Millais (Samuel Barnett), William Holman Hunt (Rafe Spall) and Dante Gabriel Rossetti (Aidan Turner) paint for fame and fortune, they quarrel over model Lizzie Siddal (Amy Manson) and other women.