A Glimpse Into the Future

A Conversation Between Richard Armitage and Colin Firth

It is the night of the Oscars 2013. In the corridors of the Kodak Theatre in Hollywood, we are eavesdropping on the distinguished guests that gather here to have a little smoke. Richard Armitage, star of ‘The Hobbit – An Unexpected Journey’, is pacing up and down the beautiful corridor, an unlit cigarette between his long fingers. He quit smoking a few years ago when he was training for ‘Strike Back’ and never succumbed since. Now he longs to put his lighter’s flame to the fag but with an incredible surge of willpower, he manages not to. Barely.

It’s inhumanly unbearable, but RA – as his friends call him – is very nervous. Stands to reason, it’s his very first Academy Awards night, ever.

In the great hall, Peter Jackson and his crew are attending in full force to support their nomination for the coveted prize and the little golden statuette. Peter is eating his hat in a desperate attempt to control his frayed nerves. Next to him, Martin Freeman is shedding buckets of sweat and James Nesbitt hasn’t come out of the gents for hours.

That’s why RA is in the corridors. He is determined to stay calm and unruffled, come what may. By staying here, in the corridors, he hopes he will succeed. He hopes but … will he?

“Hey, son, are you alright?” a mellow baritone voice sounds. A tall, slender gentleman is standing next to RA, holding out a hand, as if to steady him.

Richard looks a bit better and … holy smoke! The man is Colin Firth, THE Colin Firth of ‘Pride and Prejudice 1995. The Ultimate Mr Darcy!

Let’s witness their concentration, shall we?

 

CF: Hey, son, are you alright?

RA: (coughing – swallowing – clearing his throat)

CF: Son, are you in pain? Do you need some medical assistance? You’re dead white. Come on, let’s get you to a seat. (CF takes RA by the arm and leads him to a bench near the wall)

CF: Okay, here you are … (studies RA with a frown of concentration furrowing his noble brow) … You look familiar, son. Have we met before?

RA: Erm … no, Mr Firth, sir, I don’t think so … we … erm … move in very different circles, I’m afraid.

CF: Hm … (thinks, thinks, and thinks again) … aren’t you that bloke from Robin Hood, what’s his name again … erm … I can’t quite put my finger on it.

RA: Guy … Guy of Gisborne, sir. I played Guy or Gizzie or whatever you wish to call him.

CF: Ah! Yes, now I remember. You were quite good in it, even though it was a lousy show. I, for instance, wouldn’t want to work with that little Irish prick they chose for the lead role. But, you were in a costume drama too, weren’t you? An adaptation of a novel by that Gaskell woman, was it not?

RA: Sir, I’m flattered that you should mention it! Yes, ‘North and South’ it was. Beautiful film the old Beebs made, if I say so myself.

CF: (raises a finger and shakes it) Ah, beware of costume dramas, my lad! They are very tricky things. They unleash thousands of screaming, giggling and swooning females who fancy themselves in love with you. Had the same problem after P&P, you know. Ghastly moments I lived and for years! Even now the blasted silly things can’t leave me in peace. Do you suffer from that too?

RA: Erm … well, yes, sir. I seem to have acquired a collection of female admirers who follow my every move. It’s quite … alarming, sometimes. Most of them are very nice and sweet and I never had any stalkers so far but it takes only one deranged mind to set the whole thing ablaze, you know.

CF: Hm … that bad, eh? Yes, I know what you mean. Suffered from it until I married Lyvia. Now, it’s only the one occasional lunatic that goes around the bend. You married?

RA: No, sir. I’m still looking for the one and only woman to cross my path. I’m hoping to meet her, but I’m swamped with work so I don’t see how I will ever find the time to search for her.

CF: Well, my boy, the only thing I can say is, enjoy it while it lasts. Fame is elusive, you know. And fickle, too. One day, you’re everybody’s darling and the next, they wouldn’t recognize you even if you bit them in the arse!

RA: (coughs in surprised embarrassment to hear The Great Actor use such inappropriate language)

CF: Richard, my boy, you need to loosen up a bit here. Are you – by any chance – nominated for some category in this circus?

RA: Erm … yes, sir. I was nominated in the category ‘Best Actor in a Supporting Role’.

CF: Were you? Good job, son! You passed Ian McKellen, then. Normally, he would have been nominated for that. And that little Freeman fellow has the nomination for ‘Best Lead’, I suppose?

RA: Yes, sir, and I wish he’d win it. I very much enjoyed working with him. He’s a terrific actor.

CF: Son, you’re too good and far too modest. They’ll walk over you in this hell of a town. This is L.A., man! You’ve got to be though, you need to devious and sly. If you want that statuette, that is.

RA: (sighs deeply) Well, yes, sir. You’re not the first one to tell me that. I repeatedly and constantly have to fight against this shy side I seem to have. It’s bloody annoying, I tell you!

CF: (raises a well-shaped eyebrow) Shy? How can you be shy? You’re an actor, for Christ’s sake! You can’t be shy!

RA: Well, I am. It’s a bloody nuisance but there it is. Though I must say I’m getting bolder since I work with Peter and the other Aussies. They are fantastic people, you know. I didn’t really know the Aussies until now and it’s a marvellous experience, I tell you.

CF: Yeah, I know what you mean. I was the same with the Americans but since I work here, I kind of have grown very fond of the Yanks. They’re so much more pleasant and lively than us Brits.

RA: So you say, sir, so you say … I’ve yet to experience it although they were very patient with me during the ‘Captain America’ shootings. What with my hydrophobia and all …

CF: (shaking his distinguished head and tusking) Well, son, I can see you’re still a long way from home. But … I see the usher is scanning the corridors. The moment is upon us, boy! Come on, face it like a true Englishman!

 

Side by side, the two marvellously handsome actors disappear into the great hall …

 

 

A Conversation between Brendan Coyle and Richard Armitage.

A Conversation between Brendan Coyle and Richard Armitage.

BC: “Well, hello Richard. Fancy meeting you here. You must be on holiday to bring you back to England.”

RA: Yes, We have a month break while they hire some extra’s. You know it’s winter down there, now. Who would have thought they have a winter? We had to stop filming when they could see out breath on camera. They actually created a “kiwi watch team”. It seems the little buggers want in the shot. They fly in and they fly out. Peter’s pulling the rest of his hair out. (RA laughs).

BC: (BC laughs, too) I’d like to see that. So, do you ever think about the old Milton days? That was an awesome time.

RA: Yes, I think of it often. That jump started my career. Sandy Welch did a marvelous job on the last scene. It launched me. I have such a fan base, you wouldn’t believe. I am so grateful. They are very polite women. How about you?

BC: As far as a fan base, I have a small one, compared to yours, very loyal people, too – but it is taking off again. They still remember me STARRING in The Glass Virgin (ahem…). I saw Daniela the other day. She asked about you, but I told her I had not heard from you in some time. She keeps bringing up those pranks we played on her. Do you remember when she was talking with her mother about going to the Exhibition, while she placed books in a book cabinet? Remember how we glued them together and how she struggled through a few “takes” trying to place them on the shelf, one at a time? Finally she just shoved the four books on the shelf. (Both laugh).

RA: I do remember that. I believe that was my idea. But I remember yours so vividly.

BC: Which one was that?

RA: I remember when you locked her in her cast trailer and she didn’t make her scene. I think you blamed it on John Light. You were a rascal that day.

BC: Well, how about the time you hid his brown top hat? He was accusing everyone of hiding it. Daniela was nice enough to produce it from under that wide skirt she wore, when she started feeling sorry for him.

RA: Have you ever studied that last train station scene. I mean . . . how many women in brown did they have on set that day. One day, I had nothing to do, so I traced her walking pattern. She must have been a magician because in some shots she could not have possibly moved from here to the other side of the train in one second. I think the film cutter was drunk the day he put all that footage together.

BC: I wasn’t there that day, but I heard about all the retakes you insisted on with the kissing scene.

RA: I wasn’t born yesterday. Besides, I was not that well known and I wanted it to be memorable. And it was and still is.

BC: Richard, be careful you don’t break your arm patting yourself on the back there, my man. You were awesome in Spooks, though. Strike Back was very good. I thought, there goes my friend, Richard, rocketing to super stardom. What happened?

RA: What do you mean ‘What happened’?

BC: I shouldn’t talk. I’m playing a Gentleman’s Gentleman in the hottest TV show in the world, or hadn’t you noticed?

RA: We do not get much TV where we were filming. A Gentleman’s Gentleman, huh? (RA laughs) From Milton to Man Servant. Ha ha ha ha. You’ve certainly had an exciting career since North and South.

BC: I have had plenty of roles in between, I’ll have you know. (BC becoming a bit angry). Did you hear – I said the most popular series in the WORLD.

RA: Yes, I heard you. Congratulations. (laugh) I am starring in one of the most anticipated epic films ever made, you know that right? I will finally be seen in the States (ahem…)

BC: Oh yes, I play a Man Servant in damp wet England while you will be basking in the paradise of New Zealand, playing what part? (BC chuckles inwardly) Your new part, is it longer than your 10 minutes of fame in Captain America. (gurgles are heard from BC)

RA: (RA hesitates) A . . . a ah . . . I play a leader of one of the middle-earth denizens. We’re fearless warriors. It is much longer than Captain America. I have been given an extraordinary sword to wield. I have to practice with that a lot.

BC: I’m sorry, did I miss you telling me the part you play?

RA: No, I said a fearless warrior.

BC: Well, what denizen is this that you play. Will you be a tall handsome elf, looking beautiful like Orlando.

RA: Not quite.

BC: Not quite, what?

RA: Not quite tall.

BC: At least they won’t mess with your handsome looks, right?

RA: Ah . . . a bit. I do not play a human in middle-earth, so I will have make up.

BC: I think you are trying to duck my question. I know you will be playing an itsy bity dwarf with a sword you can hardly hold. Yes sir . . . that should raise your star level exceedingly high, much higher than me, playing second male lead, in the HOTTEST SERIES thing on TV, globally.

RA: I heard you were being written out. A murderer or something, are you?

BC: Written out? Not with my ratings. Are you making the cut for Hobbit 2?

RA: I haven’t been told, yet.

BC: Oh dear, little Ricky’s dwarf may throw himself on his sword in some famous scene. I do envy you that. (Brendan chuckles) An honorable death. Who could ask for a greater scene. Have you been practicing how to gasp out your final words? Will you die with your eyes open or closed?

RA: We haven’t got to any such scene, yet. But at least I’m not going to gallows. Are you practicing hanging your head to the side with eyes popping out and your tongue lolling out of your mouth. Quite a dishonorable death, no?

BC: I can tell that you have not watched the show. I am giving my life in order to protect someone else. Mine will be a martyr’s death. Quite heroic, if I might add.

RA: It’s been nice seeing you again, Brendan. I hope we don’t take so long next time. Any bets on who makes it to Hollywood first?

BC: Yes, Richard. It has been good seeing you, too. I hope I can recognize you between the legs of the other cast in the Hobbit. No, no bets on Hollywood. They can’t pay me enough to move there.

RA: Yes, you being who you are, would not be paid enough. Sorry, I must go. My million fans are waiting for me. Take care old chap.

BC: Good bye, Mr. Munchkin, oops, sorry MR. DWARF MAN.

…. And so they parted for another decade. What would fame bring to them in the next.

Author: Genie @ perioddrama.com

The Young Victoria Theme

The Young Victoria Theme – Only You Only Me

Flash required

Sinead O’Connor Only You

My love
Your love
Has opened up a world I’ve never known
All hope
Was found
A place I never dreamed I would go
Feels like only yesterday
I had locked my heart away
Safe behind a castle of stone
Sure I’d always be alone
Only you know how
To hear me through the silence
You reach a part of me that no one else can see
Forever true there’s only me and only you
Only me and you

In your faith I trust
With you beside me I am standing strong
One truth
Two hearts
You took my life and made it beautiful
So you dared to let me shine
Even walk a step behind
Willingly you give yourself to me
Knowing who I was born to be
Only you know how
To hear me through the silence
You reach a part of me that no one else can see
Forever true there’s only me and only you
Only me and you

Only you know how
To hear me through the silence
You reach a part of me that no one else can see
Forever true there’s only me and only you
Only me and you