Here’s a trailer that I forgot to show you earlier this week, but it is not too late, I hope, to do it today. If you don’t know what to watch this Christmas
Togo will paw its way into your home December 20th
Disney is ready to release their new period set adventure TOGO on December 20th at their Disney + streaming service! Willem Dafoe is a rather strange choice for the lead role in a family movie based on the untold true story set in the winter of 1925 that treks across the treacherous terrain of the Alaskan tundra for an exhilarating and uplifting adventure that will test the strength, courage and determination of one man, Leonhard Seppala, and his lead sled dog, Togo. It is the story of the sled dog, Togo, who led the 1925 serum run, but was considered by most to be too small and weak to lead such an intense race. The movie was directed by Ericson Core who worked on epic TV series Of Kings And Prophets and Still Star Crossed.
ITV has announced details of a new true crime drama series.
Des will follow the arrest and trial of serial killer Dennis Nilsen in the early 1980s.
Based on Brian Masters’ book Killing for Company, the three-part mini-series will dramatise one of the most infamous cases in UK criminal history.
The story will be told through the prism of three men – Dennis Nilsen, played by David Tennant (Broadchurch), Detective Chief Inspector Peter Jay, played by Daniel Mays (Line of Duty), and biographer Brian Masters, played by Jason Watkins (The Crown).
Des will explore the personal and professional consequences of coming into contact with a man like Nilsen.
Executive producer Kim Varvell commented: “Dennis Nilsen’s crimes shocked the nation in the early 1980s. Our programme focuses on the emotional impact of those terrible crimes, both on those who came into contact with Nilsen himself, and also on the victims’ families. We’re thrilled to be working with Luke and Lewis on this project, as well as the incredible cast.”
The official synopsis reads: “Nilsen murdered boys and young men in his flat from 1978 to 1983. He was undetected for five years, and it was only when DCI Peter Jay was called to 23 Cranley Gardens on 9 February, 1983, to investigate human fragments of flesh and bone clogging the drains, that the police realised they had a serial killer on their hands.
“Dennis Nilsen was arrested and convicted at the Old Bailey of six counts of murder and two of attempted murder. He was sentenced to life imprisonment, which was replaced by a whole life tariff in 1994. He died in May 2018.
“Told from both the police and Masters’ point of view, Des will explore how a man like Nilsen was able to prey on the young and vulnerable in 1980s Britain. The series will not only highlight the police investigation and trial but also the effect of the media coverage on public perceptions of the victims at the time, raising questions of just how far have we really come since then?”
Des will air on ITV in the UK in 2020.
The cast also includes Ron Cook, Faye McKeever, Chanel Cresswell, Barry Ward, Tony Way, Bronagh Waugh, Laurie Kynaston, Ross Anderson, Ben Bailey Smith, Jay Simpson, Silas Carson, Stuart McQuarrie, Jamie Parker, Lex Shrapnel, Gerard Horan, Joel Morris, Jonathan Coy, Amy Booth-Steel, Ken Bones, Andrew Woodall and Amaka Okafor.
BBC Two has acquired thrilling new crime drama Vienna Blood from Red Arrow Studios International.
The three-part, feature-length, series, written by acclaimed screenwriter Steve Thompson (Sherlock, Deep State), is based on the best-selling Liebermann novels by Frank Tallis.
Starring Matthew Beard (The Imitation Game, And When Did You Last See Your Father?), and Juergen Maurer (Vorstadtweiber, Tatort), Vienna Blood is set in 1900s Vienna, a hot bed of philosophy, science and art, where a clash of cultures and ideas play out in the city’s grand cafes and opera houses.
Max Liebermann (Matthew Beard) is a brilliant young English doctor, studying under the famed psychoanalyst Sigmund Freud. When Max comes into contact with Oskar Rheinhardt (Juergen Maurer), an Austrian Detective Inspector struggling with a strange case, he offers his assistance. Max’s extraordinary skills of perception and forensics, and his deep understanding of human behaviour and deviance, help Oskar solve some of Vienna’s most mysterious and deadly cases.
The series, filmed in English on location in Vienna, also stars Conleth Hill (Game Of Thrones), Charlene McKenna (Ripper Street), Amelia Bullmore (Gentleman Jack), Jessica De Gouw (Dracula) and Luise Von Finckh (Gute Zeiten, Schlechte Zeiten). It is produced by Endor Productions, a Red Arrow Studios company, and MR Film (Austria).
Sue Deeks, BBC Head of Programme Acquisition, says: “Vienna Blood is a unique, ambitious and compelling crime drama, set in glorious Vienna during an extraordinary period in its history. We are excited to be bringing it to BBC Two.”
Hilary Bevan Jones, Managing Director of Endor Productions, says: “We are delighted BBC Two has acquired Vienna Blood. We are proud to have brought Frank Tallis’ outstanding novels to life in the historic and beautiful city of Vienna. The chemistry between the lead actors Matthew Beard and Juergen Maurer creates a fresh and unique TV partnership which is wonderfully complemented by an exceptional international cast.
Bo Stehmeier, President of Red Arrow Studios International, says: “Vienna Blood is a great example of the kind of bold, ambitious drama we are passionate about at Red Arrow Studios International. With its combination of gripping storylines, compelling cast and talented creative team, I’m sure the series will be a hit with viewers in the UK.”
Oliver Auspitz and Andreas Kamm, co-managing directors of MR Film, say: “Vienna Blood is no longer just a best-selling novel, it’s now a TV drama with global appeal. Produced in the heart of Austria as a UK-German-Austrian co-production, we are thrilled to be part of the story and looking forward to seeing the series make its debut on BBC Two.”
Red Arrow Studios International have led the co-financing of the series, and are the international distributors. Germany’s ZDF and Austria’s ORF are co-production partners and will premiere the show in their respective territories. Other funding partners include Televisionfund Austria, TV-Filmfund Vienna and Niederoesterreich Kultur.
Vienna Blood is directed by Academy award and Emmy nominee Robert Dornhelm (Anne Frank: The Whole Story) and Umut Dag (Cracks In Concrete). The producers are Hilary Bevan Jones and Jez Swimer for Endor Productions and Andreas Kamm and Oliver Auspitz for MR Film. Executive Producers are Steve Thompson, Klaus Lintschinger (ORF), Wolfgang Feindt (ZDF) and Bo Stehmeier and Carlo Dusi (Red Arrow Studios International). The series will air on BBC Two this year.
It is all colourful fun and hilarious thrills in the first picturesque teaser for the latest movie adaptation of Jane Austen’s EMMA from Focus Features this
The film arrives for Valentines next year
time with Anya Taylor Joy as clever and rich Emma Woodhouse, a restless queen bee without rivals in her sleepy little English town. In this glittering satire of social class and the pain of growing up, Emma must adventure through misguided matches and romantic missteps to find the love that has been there all along.
Who Is In The Cast? British thespians Bill Nighy, Josh O’Connor, Callum Turner, Rupert Graves, Johnny Flynn, Mia Goth, Miranda Hart, Gemma Whelan, Amber Anderson, Tanya Reynolds and Connor Swindells all star in the movie scheduled for next
Anya Taylor Joy got her fame after The Miniaturist series at BBC
February! It first hits British cinemas right for Valentines and then moves to US a week after. Autumn de Wilde is making her directorial debut with the
Bill Nighy also stars in the big screen adaptation
film! The colourful costumes in the film were done by Alexandra Byrne who also did our favourite films Elizabeth and Hamlet. Check out the vivacious and playful trailer below:
Two hours later, Kip returned to the rear of Parliament to find his father. He walked to the steps and waited. Finally, his father exited the building.
As they approached Kip’s coach, his father asked, “Where’s your driver? Has he run off?”
“Father, your driver, is here,” he said as he took the wheel peg and lifted into his box with a broad smile.
Shocked but laughing, Earl Caldwell said, “Are you not supposed to open my door?”
“Have you forgotten how they operate, milord?”
Lord William Caldwell climbed in, astonished at what just occurred. He remembered his son had written that he was a coachman, but never did he think he’d see the likes of such doings. He thought how someone of his prestige would be embarrassed to have a son in that chosen trade. There were too many hurts in the family’s past to give that weight. He still had hoped, if he didn’t push, that Trevor would return to their home, the land with its people and his obligations. Sadly, he thought how the death of his daughter had forced his son’s forbearance from nobility and life in general. He was most happy to see him looking better.
As they arrived at the fine-dining area within the elite hotel, Kip allowed the hotel’s footman to exit his father. He parked the team around back and entered through a side door. His father was already seated.
When he came to the table, his father stood and readily shook his son’s hand.
“And how are you, milord?” Kip asked.
“Trev, none of that. ‘Father’ it will always be to you and your brother. Perhaps in the company of others, I will permit it but never when it is just us. I am . . . I guess I should say, I am taking what the world gives me. My heart is not in Parliament any more, but the alternative is worse. You look rather well. That is a fine coach, and your team is exquisite. I see you haven’t lost your love of the Friesian. You seem to have taken to your chosen path with great flourish.”
“Father, it is what I needed. I still need it; in case you are wondering why I had to see you. I cannot say when I will return, but I believe ‘never’ has left my words. How is Augustus?”
“He is finally starting to take an interest in life again, too. He has a young lady whom he is seeing, now. She lives here in London. Any day I expect to hear him tell me to find him a flat. Where are you living, son?”
“I am here, in London. I have been since I left home.”
“All this time? Where?”
“I have a very nice stable and small flat on the edge of London. I rent two holding stalls in the center of town where drivers can keep their teams and coach in the city if the job warrants it. Mostly, I go to my flat. Father, I like my anonymity and want to keep it that way.”
“If you wish. I will say that you are not an embarrassment to me as you are, and never will be, no matter your decisions in life. I know you would have well thought it through. Happiness is all I want for my boys. Although the honor of the family heritage and name is significant, it can never be more consequential than our loved ones. My, how those thoughts have changed over the last year.”
“Was there ever any news on Mary’s killer? I watched the papers for a long time.”
“Trev, I wanted to believe that the assailant was someone whom we knew was there that night. The police were confident he was not because of the missing eye. Inspector Marshall was there for a week or more. He found a boot print that did not match anyone there. It was not a gentleman’s shoe, either. It was quite fresh. However, hidden in the dirt from the ice house floor, he discovered a human eyeball. The detective said it had to be the killer’s, as it was recently removed.” His father hung his head. “The detective felt your sister fought bravely and gouged his eye out.” Tears welled in both their eyes. It was unbearable to think of the struggle she had endured.
“Yes, I knew that much when I last talked to him as I was leaving. An eye. An eye! It now makes sense!” Kip exclaimed.
“What are you talking about, Trevor?”
“In her final moments, Mary gasped out the word ‘I.’ I thought she was trying to tell me something that she did. She would have started with ‘I.’ I don’t think she was totally conscious at the time. I spoke with her, trying to get her to talk to me. I listened to the rattle in her throat but heard nothing further. An eye. She was trying to tell me he had one eye. Is this detective still at the Met?”
“Yes, he lets me know from time to time that nothing has been uncovered.”
“This murderer may have gotten a glass eye. I’ve since stopped looking for only an eye patch on someone. Father, I will never give up. I hear more than people know in this trade. This is why I had to talk to you.”
“Yes, yes. Go on.”
“Do you know a Lilith Caldwell?”
“I remember hearing about the birth of a daughter long ago. I have no idea how she would be related. It is some distance from you or me. Why?”
“She may have disappeared last night. She was attending a ball. Two men escorted her there. I was hired to drive her cousin, Lucy Blevins, niece to Sir Thomas Blevins. My rider was to meet her cousin and be introduced to the second gentleman. Miss Blevins felt that there were some harsh words between Lilith and her gentleman. I had been asked to stay for an hour to see how Miss Blevins thought she would enjoy her evening. An hour later, she came looking for me. Her cousin, Lilith Caldwell, and the two men left. Shortly, I will go to the police and tell them what I know, which is nothing. I never saw the men or the coach, although I think a friend, another driver, may have noticed the coach and coachman. We, the coach drivers, are investigating that. I have been worried about the fact that this is a second Caldwell woman to … well, I don’t know what will be the outcome. I find it difficult to believe that this may be a coincidence. I have to ask you is there anything in our family’s past that could lead to these horrendous crimes against our family? I wonder if you were or are being blackmailed.”
Lord William Caldwell looked stunned.
“What is it, Father? Tell me.”
“No, son. I am not being blackmailed. We cannot have another tragedy in this family. She must be found. I will see her uncle today. I will also talk with the Metropolitan. It does sound hard to not be coincidental.”
“They are aware of it, of course. I do not know if they know of your connection with that family. I believe there are other Caldwell’s in London, who are not of us. Miss Blevins was trying to explain, and even she does not know how she is exactly related to Lilith but knows there is an Earl in her lineage.”
Lord William Caldwell pulled a bit of paper from his brief and wrote his address on it for Trevor. “I want to know what you know.”
“As I, you. Father, if we meet in some type of gathering, please do not recognize me. I am called Kip. I used mother’s surname of Kipling. My friends think I am Trevor Kipling, and they call me Kip.”
“I say . . . are you Kip, that coachman?”
“You’ve heard of me?”
“And handsomely, I might add. You have been recommended in my company several times. Of course, I have our driver Briggs. I am proud to know of the gentleman of honor that you have remained. Thank you, son.”
“Flicking a card out of his jacket and handing it over, “Father, I have heard about you, too.”
“Rumors of me? Under what circumstances?”
“I believe you have a lady friend. I am happy for you. Shouldn’t you make an honest woman of her?” Kip grinned.
“My God, my son, a driver, knows of my romantic interests. Is there nothing sacred?”
“Among drivers, no. However, we are a brotherhood, and it never goes beyond our own boundaries as gentlemen.”
“I met this widowed woman when I was very low after Mary’s death.”
“Father, I understand more than you know. I do not need for you to tell me. As for your reputation in secret liaisons, you are very low on the interest list. You are a gentleman widower; she is a widowed lady. There would be no interest at all if you were not an Earl. I wish you the best and hope you find some happiness, yet, in this life.”
“How about you, Trev? Any lady in your life?”
“There is one who I have recently met. I am quite smitten, but we’ve only just started to speak.”
“Son, don’t lose a chance to be happy. We do not know when it will be taken from us.”
“Thank you, Father. I think I know that all too well. I must return you to the realm. Tell Augustus I am in good health, and in London. I do not know how well he could keep my secret, so I doubt I will tell him. I really have the best of two worlds, Father.”
“He knows what you are doing. I told him when you wrote. Neither of us knew you were here. If he moves to London, he will have his own driver as well. I will talk with him.”
Kip and his father finished their lunch with a bit more news to each other before he was driven back to the House of Lords. They promised to stay in touch.
Arriving at the Metropolitan, Kip entered the building and spoke with an officer at a front desk about the Lilith Caldwell investigation. He was told that the detective was not in and to seek him in the afternoon. Leaving, Kip decided to ride by the Blevins home, checking whether the detective was there.
He knocked, and the door was opened. “I am not expected. I do not wish to intrude, but might the detective be here? I could not catch him at the Met.”
Lucy asked him to enter, and she would find out if he could be seen.
“Let me ask, Kip. The detective’s name is Marshall. He and Uncle are talking. I have had my interview. Please wait.”
“Marshall? Very good, miss. Wait …, please. Can you tell me if either man with your cousin that evening wore an eye patch?”
“Yes, one did. How did you know? I only remembered it this morning.” Lucy disappeared for a moment and returned with her uncle.
“Kip, this is fortunate timing for the inspector. Do come in. I think he was about to find you next.”
Kip handed his top hat and gloves to the footman and followed Sir Blevins into his study.
Introductions acquitted; everyone sat but Kip. He could feel the eyes of the Inspector recognizing him. He wondered if he was being looked at as a suspect. Please don’t ask me if I am Lord Trevor.
“Do sit, Kip,” said Sir Blevins.
“I prefer to stand, Sir.”
Kip felt his father would meet the Met detective and find that the same man was on Lilith’s case, as on Mary’s. He would not bring it to light now. Kip wanted to speak with the Inspector alone.
“Kip, is it?” The detective began, squinting.
“Yes, sir. Excuse me but is it detective or inspector?”
He smiled and knew exactly who he was talking to, but why was he using the name, Kip? Why was he dressing as a coachman? “It’s actually Detective Inspector Marshall. Tell me in your own words anything you witnessed that relates to this case.”
“Sir, I witnessed nothing at all. The only person that I had a brief occasion to see was Miss Lilith Caldwell. I did not see either gentleman with her. Upon learning of a potential mystery about two hours later, I asked the other drivers to speak with each other about the driver or coach. I will be seeing them sometime today and will let you know if we have anything.
“Sir Blevins has given me your address should I need anything further. Thank the drivers for any support they can offer. We shall speak again.”
“Indeed. Good day, then.”
Kip passed up several hailings as he headed just outside of London’s center to The Coachman’s Box. It wasn’t near lunch yet, but he needed a pause in time to collect himself. The eatery was nearly deserted. The long trestle tables waited to be occupied, smells wafted from the kitchen, and men were rolling in barrels of ale. He picked the smallest table in the darkest corner after ordering from the bartender, who he knew. Kip set his hat beside him and placed his head on the table. Countless images were vying for his attention.
“You, alright there, lad?” asked the bartender setting two pints in front of him.
“Just a headache, Liam. I think these will fix me up,” Kip lied as he picked up the first mug.
“It should be quiet in here for another hour. Take your time, son.” Liam walked away.
Mary was clamoring for attention. The man who attacked her was making his presence known through her eyes. It was frightening. A chill ran down his back, causing stomach cramps. He didn’t know if the next visions were going to be from her eyes, as he rutted atop her. Kip slipped out the back door and vomited. Bent over, hands upon his knees, drool spilling from his mouth, Mary was back again, happily picking her flowers. She was speaking to him. He knew that now. He wasn’t going mad. All the images, until now, were ones he could have seen when she lived. This one was new, and he knew it was an image only she could project. Mary, you are with me.
Finally, a breath of fresh air carried him back into the eatery on the wings of a small white dove with dimples. Squeaks was visiting at his insistence. Perhaps she was coming to his rescue. He thought he was a whole person until he met her, but virtues, he hadn’t thought about for a long time, were peeping their head above the parapet since he first talked with her. Virtues such as prudence, tenacity, and humility. However, her world was going to collide with his someday; he could feel it.
Martin Simmonds (Tim Roth and Gerran Howell in younger years) has been haunted throughout his life by the mysterious disappearance of his “brother” and extraordinary best friend, a Polish Jewish virtuoso violinist, Dovidl Rapaport, who vanished shortly before the 1951 London debut concert that would have launched his brilliant career. Thirty five years later, Martin discovers that Dovidl (Clive Owen and Jonah Hauer King) may still be alive, and sets out on an obsessive intercontinental search to find him and learn why he left.
The movie opens this Christmas
The movie was directed by Francois Girard as Canadian Hungarian production